Leaves hung green and gold in the low afternoon sun. Moorhens and swans meandered among the tangled water weeds. I startled a kingfisher and sent it peeping down the canal ahead, then ran into it again and again as it retreated, refusing to bite the bullet and fly back past me. Several stone bridges arched over the water. I passed a few families and dog walkers.
We stood aside to let a flock of sheep pass us as we climbed up to the point where the hill turned from green fields to brown grouse moors. From our high point we could see all the way to the coast, to the mouth of the Wyre, to Blackpool tower, and, most excitingly, to the distant, cloudy fells of Cumbria. This milestone made the ascent worth it. Adrian told me grim police stories of murder and deceit as we made our way down through hillside farms.
We altered course, and more and more frequently had to dodge round large puddles and soaked earth, which then turned into entire sections of path that were submerged. Our route-finding involved some creative clambering and fence-hopping, until eventually we were checkmated. Caught on a track between two walls in an abandoned farmstead, with no way round and twenty metres of water between us and the road, we gave up and sprinted through it.
It was harvest season, and several of the farm houses we passed had tables set up on the roadside with honesty boxes, and great piles of apples for sale, along with chicken and even duck eggs. After passing a few of these we could no longer resist and got an apple each. We couldn’t guess what variety they were, but they were crisp and sweet. Duncan declared his the most delicious apple he had ever eaten.
They were the iron figures of Antony Gormley’s Another Place installation, of which there are a hundred dotted along Crosby Beach. Each of them gazes out to the horizon. They seemed wistful. I identified with them hard. I was also wet, stiff, and aspiring to something far away.